Inside A Black Hole
黑洞之内
项目要求为迪士尼乐园设计一个以星际旅行为主题的游乐设施。我们设计了一个像一颗完整的星球一般的球形建筑，并为参观者设计了一段富有启发性的旅途。参观者由建筑最上方进入，在旅途开始，参观者的面前是一个深邃而荒芜的黑洞，其他星球的美好可望而不可即。这之后，参观者会跟随一个名叫Leslie的引导角色，一起探索黑洞下方的奇幻世界我们希望借助这个游乐设施传达，就像宇宙中不会有两个一样的星球，世界上也不存在两个一样的人，每个人都是珍贵而特别的。也许你觉得自己很平庸，一无所长，不像某些伙伴一样有趣，但只要你探索得足够深，也能发现自己的闪光点一一黑洞之内，也会有美丽的风景。
Partner: Zhaolei Li
Radiation: Video Game Stadium
辐射：江边电竞中心设计
This project called for a cyber game stadium at the location of the former ShanghaiWorld Expo park near the Huangpu River. The stadium should contain 1000 indoor seats and supporting entertainment service space of 5000 ㎡ . At the same time, this is also a project with structure as the theme, which requires the architecture structural concept complementary to the space concept when solving the largespan problem of the stadium.
项目要求结合当下电子竞技的处境思考，在黄浦江边，原世博园的位置，设计一个电子竞技比赛场馆。同时这也是一个结构为主题的项目，要求在解决电竞观演大厅的大跨度问题时提出与空间概念相辅相成的结构概念。
传统电竞比赛场馆是内向性的黑盒子，此设计希望将黑盒子打开，使电竞的氛围渗透进周围环境。同时，电竞的氛围也渗透进与主观赛区观众席直接相连且内部空间贯通的新型观演区域，而五个小的新型观演空间同时在中部拼凑成大而具有仪式感的主赛场区。
Partner: Yinxing Zhang
Komorebi: Combination of Apartment and Study Center
叶隙间撒落的阳光：上海校际学术交流中心设计
Komorebi (木漏れ日 in Japanese) is a simple and straightforward word. There are three key components that reveal its definition: 木 (ko), 漏れ (more), and 日 (bi). The first is the kanji for “tree,” 漏れ is the stem of the verb moreru, which means to leak out or come through, and 日 is the kanji for day or sunlight. When all are combined, you get the usual rough translation of komorebi: ‘to the sunlight shining through the trees.’What if komorebi is used as a design concept? Komorebi depicts a transparent image, and this can be a possible relationship for different functional rooms in one complex. Through the interstice of the rooms, sunlight can get through the whole building from the top. The project proposal combines housing and a college activity centre, which is surrounded by many universities, with collections houses for staff and students and several enterprise and innovation bases. Through the interstice like that between leaves, users have more chances to interact with each other. In addition, the interstice would create a special light effect inside the building. The upper and lower parts of the building are divided into private and public, allowing sunlight to pass through the gaps in the upper private residential part and reach the lower public space, making the light effect of the komorebi an experience of the public space. At the same time, this penetrating relationship also bleeds through to the functional level, through the interweaving of the blocks so that people using the different functional rooms can perceive a connection with each other. The different living blocks are combined to form rooms with different functions and are grouped into eight large clusters. The lower public spaces are then arranged according to the light-transmitting positions of the upper residential blocks, making maximum use of the light that penetrates above and below to create a komorebi effect. The lowest floor is used by both urban and study groups for functions such as a library and an exhibition hall, the second and third floors are used for studios, the third floor has more outdoor terraces than the first floor and can be used by both study and residential groups, and the fourth to sixth floors are used for guest rooms.
“komorebi”是“木漏れ日”的罗马音，它的意思是阳光穿过树叶。我们根据任务书要求将建筑上下分为私密和公共两部分，让阳光穿过上部私密的居住部分的间隙，到达下部公共空间，使得komorebi 的光效成为公共空间的一种体验。同时，这种穿透的关系也渗入到功能层面，通过体块的穿插，使得使用不同功能房间的人能够互相感知联系。项目首先通过不同的居住模块组合形成不同功能的客房，并将其组成八个大组团。此后根据上部居住体块的间隙透光位置排布下部公共空间，最大程度利用穿透上下的光线形成komorebi 光效。建筑由下至上公共性逐级递减，最底层是城市人群与学习人群都可以使用的功能如图书馆、展览馆，二三层是工作室，三层较二层有更多室外休憩平台，可供学习人群和居住人群共同使用，四至六层为客房。
Partner:s Ran Sun, Xizi Shen, Wenyang Zhao, Yamanaka Sota, Ogawa Yuka Perdigão
People Theatre: Combination of Apartment and Market
人民大舞台：住宅与市场综合体设计
The project called for a combination of apartment and market. Students need todeal with the different condition of market and residence as well as make good use of the advantages of this site. I think that the relationship between a market and an apartment can be similar with the one between a stage and its auditorium. The market can play the role of a stage where everyone can perform. Meanwhile the apartment can play the role of an
auditorium for that stage.The lively public activities of the market can be regarded as a kind of urban scenery. The feeling of opening the door of the room and looking out from the corridor is like opening a small door of a theater box and seeing theentire theatre.人民大舞台是一个剧院的名字， 我认为菜场和住宅可以是一种被观看和观看的关系，菜场可以如同一个所有人都能上去的舞台，而
住宅可以作为这个舞台的观众席，这也就是我的设计概念——剧场。菜场热闹鲜活的公共活动可以作为都市景观被利用，当居住的人打开房间的门从公共走廊看出去时，就像从剧场包厢的小门开出来看到一整个大世界，从比较小比较封闭空间的获得开敞的大视野，看到菜场里的公共活动一幕幕上演，感受到自己居住在热闹的都市中。
Archive of My Own
个体记忆收藏馆
The project called for an architecture which collects personal memory and anddisplay an object carrying the memory. The site can be chosen by our own. I make this architecture to collect my memory of how I feel about the size of the surroundings when I was a child and the different feeling I have when I grow up. I choose to display a small bench made by my grandfather. With the help of it, I try to change the scale of architecture to create different feelings.
这个项目围绕记忆/遗忘，物品，身体，建造，空间，氛围概念展开，要求为自己的一段记忆建造一个收藏馆，在收藏馆中展示一个承载这段记忆的物品。我选择的展品是祖父做的一个小板凳，这个小板凳在我小时候尺寸刚刚好，长大后再去看却觉得它是多么地小。我试图改变建筑的规模，以让参观者有不同尺寸感知，表达我小时候与长大后对周围环境大小的不同感知。
Rural Memory Museum
村落记忆博物馆
The project called for a memory exhibition hall combined with villagers' publicactivity space and ancestral hall for Changhe Village in Hangzhou province. The village is a terroir settlement with a long history of the Lai family. It was originally formed in the South Song Dynasty and developed to its peak in the Qing Dynasty. However the village then gradually declined as a result of urbanization and the traditional space of the village along with the residential form are collapsing. Therefore, the protection and renaissance of its rich collective memory, as well as the introduction of new village public spaces, are particularly important in the current context.
项目深入调查杭州长河古镇的历史与现状，设计一座用以传承集体记忆服务当下社区生活的公共建筑。设计要点在于需要把一系列反映村落历史进程的器物通过特定的方式向公众展示。同样也需要向村落里引入一个祠堂空间，重点在于思考当代语境下的祠堂能够对村落的公共生活、精神生活发挥什么样的作用。传统的作为乡土纽带的宗族血缘关系在城市化发展的今天如何能够唤醒村民的集体记忆。老人茶室和棋牌室的设置是为了塑造社区的公共性，为村民提供公共活动的场所。通过社区记忆的重塑激发村落认同感，振兴这个在城市化进程中逐渐衰落的村庄。
